Continuing from the mask with the mask reapers in the ambush in the episode of last week, the group demands a rapid and cruel attack in the Maggie group that taught as they attempt. The conflict is fast and brutal. Maggie is isolated on the body to body, when things become calm.

Everyone is gone. Things are strange, disoriented, and we have many unknowns about the attack, even who is alive at this point. Maggie escapes the area, but she is pursued. The reapers become classic horror movie villains, if they were cold blood commands. In a moment, Maggie becomes a light in the darkness and a skull face is looking behind her. When she is injured, she unfolds the grenades as if she were a player fallen in duty. These theathematics are all to distract the enemies of it, but Maggie remains focused.

The desperate duo of her and denan return to the vehicle for the episode, as they meet and seek its divided group. Alden is severely trimmed, but he is lucky. Two of the old friends of Maggie, Duncan and Cole, do not come out at all. The psychological toll is clear in Maggie, since she puts Duncan before he is zumled and promises to take care of Agatha. Within the lapse of the next meeting, Agatha is bitten and finally invaded by the walkers, since Negan must drag Maggie to save her as she dies Agatha. Apart from the assassin of her husband, all those who take care of her are dead or disappeared. Brutal.

Gabriel is another survivor that we continue in this episode. He hunts a dying reaper alone. The mower asks Gabriel to pray for him, but Gabriel can not find the will, and end of the fallen man. Gabriel has always been challenged in the morality and faith of him in this new and hard world, he defines the arch of him in the dead that walk, and has become more cynical in front of these events. It is sad to see a good person become cheerful, but he has a perfect sense for the character of him.

Other, in Alexandria …

Back in Alexandria, we started seeing more of the city and repairs that take place after the whispers invaded. The walls are erected, the debris are eliminated and the patrols continue. There is a feeling of despair as recovery begins. Moral is very low.

We see some scenes with the children of Alexandria, including Judith and Hershel, who are playing games and eating together. They talk about why adults tell them what they do, act the way they do and mention strange food they have had to eat. It is the perspective of people who only know the post-apocalypse, and is a good change of rhythm to see them questioning their elders and the world they have grown. He is humiliating to see a more mundane environment in the midst of all. This intensity.

The greatest approach, however, are the women of Alexandria. Carol comes out to hunt her horses escaped from her, helped by Magna, Kelly and Rosita. All the atmosphere of her excursion is more like a Western, with a corrella and livestock livestock while opening up with each other. Western aesthetics have always been there in this show, but they became more explicit here, and is emotionally touching, since they are satisfied and listened to each other. There is a real tenderness in these scenes, with the soft sunset behind the galloping horses. Morality is, for now, raised in Alexandria.